Category: Criticism
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(from my May 3rd, 2026 notes) Unfortunately, Richard Dawkins put out a book called The Claude Delusion and it’s being panned. The argument Dawkins makes in the book: “So my own position is: ‘If these machines are not conscious, what more could it possibly take to convince you that they are?’” His version of Claude…
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“Elizabeth Taylor” is the second track on Taylor Swift’s “The Life of a Showgirl” record. It’s probably my fifth favorite on the album, partly because it feels a bit more generic pop than most Taylor Swift tracks of recent years. Even while I feel like all this high-gloss and the highly referential nature of this…
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“The Fate of Ophelia” is both the first track and first single released from Taylor Swift’s album Life of a Showgirl. The music video itself deserves its own deep dive, but for today, we’ll focus on the track itself. Widely considered the “earworm” of the record – although I’d say track three “Opalite” fits that…
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The ABCD critique framework is an extremely useful tool for feedback, and is one I use for my critiques of both my own and others’ work all the time. I learned about it through a Sublime App interview with Substack writer Anu Atluru, but the ABCD framework origin seems to be the blog of Cassidy…
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“Cultural Moneyballism, in this light, sacrifices exuberance for the sake of formulaic symmetry. It sacrifices diversity for the sake of familiarity. It solves finite games at the expense of infinite games. Its genius dulls the rough edges of entertainment. I think that’s worth caring about. It is definitely worth asking the question: In a world…
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Labubu isn’t just the next blind box toy collectible. According to Kyla Scanlon, it serves as a perfect specimen of a broken economy — where the only game most people can play is speculation, and anything can be for sale. Daniel Kahneman and Amos Tversky figured out the psychology behind why people do such bizarre…
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Here are my reflections on Chapter 15 of Longinus’ “On the Sublime,” using the Criticism, Rhetoric, Aesthetics, and Philosophy (CRAP) framework. Criticism Longinus begins this chapter by emphasizing the importance of phantasia, or visualization: “…dignity, grandeur, and urgency are to a very large degree derived from visualization (phantasia).” He distinguishes this from the mere production…
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“Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.” – Cory Doctorow Jared Henderson included this quote in a July 2025 video…
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“You gain more by not being stupid than you do by being smart.” – Phil Birnbaum, baseball analyst, “An Important Life Lesson from Blackjack and Baseball” In an article published on Slate.com, baseball analyst Phil Birnbaum talked about focusing on minimizing bad decisions rather than trying too hard to make the right decisions. Birnbaum continued…
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A Deep Dive into a Modern Pop Masterpiece Sabrina Carpenter’s latest single “Manchild” might just be one of the most brilliant pop songs of the 2020s. Beyond its catchy beat and sassy lyrics, the track doubles as sharp social commentary, and its music video unfolds as a pastiche of classic film moments that enrich the…
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Emily Dickinson is famous for her idiosyncratic grammar, liberal use of the hyphen, and seemingly random capitalization of words. Despite using typical poetic devices such as assonance, consonance, and alliteration in her works, her poems take unique forms with layouts often making them a bit cryptic. Are these idiosyncrasies in her poetry a sign of…
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Is Langston Hughes a Modernist poet? That question, once handed to me in a college classroom, now strikes me as too small for the man who so clearly saw poetry as a public force. Labels like “Modernist” tend to flatten voices into movements. But Hughes resists neat categorization. Yes, he wrote in free verse. Indeed,…
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There’s a dangerous myth that still lingers in how we teach, critique, and canonize writing, particularly with essays. It’s the idea that language is fixed, finalized, etched in stone. We’re taught in grammar school that the first draft must already point toward the final product. Then, revision is about perfection, not possibility. But the essay…
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“Being a queer girl isn’t something you decide. It’s something you survive, until you get old enough to claim it.”—Emily Pratt Slatin, Friendship Bracelets And Other Broken Promises This quote from my wife, Emily Pratt Slatin, is surgical. It names what so many queer femmes—especially lesbians and trans women—have lived: not a “choice” but a…
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Ambitions, goals, and dreams are not necessarily the same thing; while related, ambitions are typically fueled by societal and social expectations. Ambition can look like purpose when it’s actually just a performance for others to convince ourselves of our own value. This means ambitions aren’t necessarily yours; often they can be borrowed beliefs driven by…
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“The idea that Mr. Spock could be a cross between a human being and a life-form independently evolved on the planet Vulcan is genetically far less probable than a successful cross of a man and an artichoke.” – Carl Sagan, The Demon-Haunted World Yeah we don’t like to think about that do we? Ironically, Star…
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“Why aren’t we using sports to teach science?” – Carl Sagan, The Demon-Haunted World Sagan was apparently a huge fan of basketball as a way to teach science and mathematics. In his book, The Demon-Haunted World, Sagan’s bit about using basketball to teach probability and logic is classic for him—he’s always looking for sneaky scaffolding.…
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“There are naive questions, tedious questions, ill-phrased questions, questions put after inadequate self-criticism. But every question is a cry to understand the world. There is no such thing as a dumb question.” – Carl Sagan, The Demon-Haunted World Are some questions “dumb”? Maybe in the moment—but even the worst-formed ones come from a mental framework…
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In his 1993 book Uncommon Sense: The Heretical Nature of Science, Alan Cromer of Northeastern University suggests that we never would’ve invented science if not for what Carl Sagan refers to as “an unlikely concatenation of historical events.” Cromer writes, “This hostility to science, in the face of its obvious triumphs and benefits, is… evidence…
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“You don’t take a photograph, you make it.” – Ansel Adams This axiom from Ansel Adams, one of the 20th century’s most acclaimed photographers, remains one of the most vital distinctions in visual art. It highlights a fundamental split in how we interact with the world, between passive extraction and active construction. To “take” implies…