Category: Criticism
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“Cultural Moneyballism, in this light, sacrifices exuberance for the sake of formulaic symmetry. It sacrifices diversity for the sake of familiarity. It solves finite games at the expense of infinite games. Its genius dulls the rough edges of entertainment. I think that’s worth caring about. It is definitely worth asking the question: In a world…
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Labubu isn’t just the next blind box toy collectible. According to Kyla Scanlon, it serves as a perfect specimen of a broken economy — where the only game most people can play is speculation, and anything can be for sale. Daniel Kahneman and Amos Tversky figured out the psychology behind why people do such bizarre…
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Here are my reflections on Chapter 15 of Longinus’ “On the Sublime,” using the Criticism, Rhetoric, Aesthetics, and Philosophy (CRAP) framework. Criticism Longinus begins this chapter by emphasizing the importance of phantasia, or visualization: “…dignity, grandeur, and urgency are to a very large degree derived from visualization (phantasia).” He distinguishes this from the mere production…
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“Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.” – Cory Doctorow Jared Henderson included this quote in a July 2025 video…
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“You gain more by not being stupid than you do by being smart.” – Phil Birnbaum, baseball analyst, “An Important Life Lesson from Blackjack and Baseball” In an article published on Slate.com, baseball analyst Phil Birnbaum talked about focusing on minimizing bad decisions rather than trying too hard to make the right decisions. Birnbaum continued…
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A Deep Dive into a Modern Pop Masterpiece Sabrina Carpenter’s latest single “Manchild” might just be one of the most brilliant pop songs of the 2020s. Beyond its catchy beat and sassy lyrics, the track doubles as sharp social commentary, and its music video unfolds as a pastiche of classic film moments that enrich the…
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Emily Dickinson is famous for her idiosyncratic grammar, liberal use of the hyphen, and seemingly random capitalization of words. Despite using typical poetic devices such as assonance, consonance, and alliteration in her works, her poems take unique forms with layouts often making them a bit cryptic. Are these idiosyncrasies in her poetry a sign of…
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Is Langston Hughes a Modernist poet? That question, once handed to me in a college classroom, now strikes me as too small for the man who so clearly saw poetry as a public force. Labels like “Modernist” tend to flatten voices into movements. But Hughes resists neat categorization. Yes, he wrote in free verse. Indeed,…
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There’s a dangerous myth that still lingers in how we teach, critique, and canonize writing, particularly with essays. It’s the idea that language is fixed, finalized, etched in stone. We’re taught in grammar school that the first draft must already point toward the final product. Then, revision is about perfection, not possibility. But the essay…
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“Being a queer girl isn’t something you decide. It’s something you survive, until you get old enough to claim it.”—Emily Pratt Slatin, Friendship Bracelets And Other Broken Promises This quote from my wife, Emily Pratt Slatin, is surgical. It names what so many queer femmes—especially lesbians and trans women—have lived: not a “choice” but a…